This project by [Anaïs Berck](https://www.anaisberck.be/) proposes to explore the notion of a publishing house in which the authors are algorithms, presented with their contexts and codes; and in which the content of the books seeds with trees and nature.
By putting the tree and its representations at the center of their works, and by welcoming algorithms not at the service of extracting resources or value towards a commercial objective, but for making kin with nature, these intelligences create narratives which speak about trees and also challenge colonial views of classification, methods of standardization, and might speak critically about the effects of dominant cultures. While doing so, they put trees at the center of the creation, and therefore decenter the perspective of the human being.
The project looks into formal narratives generated by algorithms, question the form of the book as an object and authorial product, explore the concept of a ‘decolonial publishing house’ and experiment with the influence of ‘forest baths’ on the writing of code and the communication with trees.
